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VINTAGE SOTHEBY’S LONDON The Artist and the Country House From the Fifteenth Century To the Present Day An EXHIBITION to benefit The Prince of Wales’s Institute of Architecture UK PAINTINGS COLLECTION A SPECIAL COLLECTIBLE CATALOGUE | British & Far East Traders Lifestyle & Shopping Blog
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VINTAGE 

SOTHEBY’S LONDON

The Artist and the Country House

From the Fifteenth Century

 To the Present Day

An EXHIBITION to benefit

The Prince of Wales’s 

Institute of Architecture

 UK PAINTINGS COLLECTION

A SPECIAL COLLECTIBLE

CATALOGUE

 
DETAILS:
 
  
  
         
A Total of 144 FULL-COLOUR PHOTOGRAPHIC EXHIBITS
complete with LITERATURE and Detailed Measurements
 
This is an EXTREMELY VALUABLE RESOURCE
for COLLECTORS and TRADERS alike…
 
An Exhibition to benefit 
The Prince of Wales’s Institute of Architecture
 
Introduction and Catalogue by John Harris
with the Assistance of
Kimberly Kostival and Sarah Orchart
(Research Assistants from Sotheby’s Institute)
 
Catalogue sponsored by Sotheby’s Institute
 
Transport sponsored by Wingate & Johnston
 
Insurance sponsored by
Gauntlet Insurance Services Limited
and
Hiscox Underwriting Limited
 
Honorary curatorship by
JO Hambro Magan & Company Limited
 
Photography by
Wayne Vincent, 
Grant Deudney, 
Heath Cooper and 
Brian Watt
 
Front Cover: Longleat House
Collection: The Marquess of Bath, Longleat House, Warminster, Wiltshire
 

 PHOTOGRAPHIC EXHIBITS:

 
1. Portrait of Jack Kent with a View of Kentchurch Court, 
Herefordshire, in the background Circa 1460
Unidentified Flemish painter
Oil on panel
      
2. A View Towards the North Front of Badminton House, 
Gloucestershire Circa 1670
 
Hendrik Danckerts (Circa 1625- 1680)
Indistinctly signed and dated 166? ;
Oil on canvas
 
3. View of Nonsuch Palace, Surrey, from the North-East Circa 1670s
 
Attributed to Hendrik Danckerts (Circa 1625- 1680)
Oil On Canvas
 
4. Wiston Park, Sussex, Seen from Across Gardens, 
with a Hunting Conversation in the Foreground Circa 1668 
 
Unidentified English Painter
Oil On Canvas
 
5. A View of Boscobel House
and Whiteladies House Shropshire Circa 1670
 
Robert Streater (1624- 1679)
Oil on canvas
 
6. Winterslow House, Wiltshire, with Figsbury Hill
and a Deer Hunt in the Foreground Circa 1670s
 
Thomas Wyck (Circa 1616- 1677)
and / or Jan Wyck (1652- 1700)
 Oil On Canvas
 
7. An Elevated View of Longleat House, Wiltshire, 
Seen from the South
 
Jan Siberechts (1627- circa 1703)
Signed and dated 1675
Oil On Canvas
 
8. Unidentified House, with the Presentation of a Pineapple
to Charles II in the Foreground, Mid 1670s
 
Sometimes attributed to Hendrik Danckerts (Circa 1625- 1680)
Oil On Canvas
 
9. Euston Hall, Suffolk and the Church as a Background
to a Sporting Scene Circa 1676- 1677
 
Thomas Wyck (Circa 1616- 1677)
and / or Jan Wyck (1652- 1700)
Oil On Canvas
 
10. A View of the Main Forest of Althorp Park, Northamptonshire, 
Seen from Across the Entrance Parterre Circa 1678
 
Johannes Vorstermans ( 1643- 1699)
Oil On Canvas
 
11. The Durdans, Surrey, 
Seen in Elevated Frontal Perspective
 
Jacob Knyff (1639- 1681)
Signed and dated 1679
Oil On Canvas
 
12. A View of an Unidentified House and Garden
with a Castle in the Background Circa 1680s
 
Unidentified English Painter
Oil On Canvas
 
13. Intwood Hall, Norfolk, Seen from the 
Wooden-Paled Garden Path Circa 1680
 
Unidentified Netherlandish Painter
Oil On Canvas
 
14. An Elevated View of Old Petworth House and Stables, 
Sussex Early 1680’s
 
Unidentified Painter, 
sometimes attributed to Jacob Knyff (1639- 1681)
Oil On Canvas
 
15. Harraton Hall, Durham, 
with a Hunt in Progress
 
Peter Hartover (fl.c.1674- c 1690)
Signed and dated 1687
Oil On Canvas
 
16. A View of an End or Secondary Front of 
Lord Berkeley’s New House, The Durdans, Surrey
 
Jacob Scmits (or Smits) (d. 1694)
Signed and dated 1689
Oil On Canvas
 
 
17. Wollaton Hall, Northamptonshire,
Seen in Elevated Prospect Circa 1697
 
Jan Siberechts (1627- c. 1703)
Oil On Canvas
 
18. Elevated View from the North-East of Staunton Harold Hall,
Leicestershire Circa 1704
 
Leonard Knyff (1605- 1722)
Oil On Canvas
 
19. View Towards the Entrace Forecourt of Drayton House, 
Northamptonshire late 1690s
 
Unidentified architectural painter
Oil On Canvas
 
20. Elevated View of the North or Court-Entrance
Front of Newburgh Priory, Yorkshire Circa 1700
 
Oil On Canvas
 
21. Elevated View of the South or Garden Front of Newburgh Priory, 
Yorkshire Circa 1700
 
Oil On Canvas
 
22. Crewe Hall, Cheshire, Seen from the South, 
Across the Paddock Circa 1695-1700
 
Attributed to Jan Griffier the Elder (c. 1652/6 – 1718)
Oil On Canvas
 
23. Flaxley Abbey, Gloucestershire Circa 1720
 
Unidentified Painter
Oil On Canvas
 
24. The East or Entrance Front of Ledston Hall, Yorkshire, 
Seen from the Lawns
 
Signed and dated 1728
Oil On Canvas
 
25. The West Elevation from a Hill Beyond
the Walled Formal Gardens
 
Oil On Canvas
 
26. The South Elevation Seen from Beyond the 
Entrance Gates
 
Oil On Canvas
 
All by John Setterington (op. c 1728- c. 1750)
 
27. Burley on the Hill, Rutland, 
Seen on Axis from the Extent of the South Avenue Circa 1729
 
Peter Tillemans (1684 -1734)
Signed
Oil On Canvas
 
28. The Entrance Front and Outer Forecourt of Eastwell Park, Kent, 
Seen from the Hunting Park Circa 1729
 
Peter Tillemans (1684- 1734)
Oil On Canvas
 
29. Chatsworth, Derbyshire, 
Seen in the Distance from the South-West, Mid 1720s
 
Peter Tillemans (1684- 1734)
Oil On Canvas
 
30. Lowther Hall, Westmorland, 
Unroofed After the Fire of 1718, 
Seen from the Hill Aligned on the Long Avenue
Circa 1734
 
Mathias Read ( 1669- 1747)
Oil On Canvas
 
31. A South-West View of Belvoir Castle, Rutland, 
and the Vale of Belvoir as a Background to the Hunt in 1731
 
Attributed to Thomas Badeslade (fl. c. 1715- 1750)
with (?) Thomas Spencer (c. 1700- 1753)
Oil On Canvas
 
32. John Warde and Family on Horseback
Surveying Squerryes Court, Kent
 
John Wooton (c. 1686- 1765)
Signed and dated 1735
Oil On Canvas
 
33. The East Aspect of Averham Park, Nottinghamshire, 
Viewed from the Deer Park, late 1720s
 
Unidentified Flemish painter
Oil On Canvas
 
34. Aerial View of Tottenham Park, Wiltshire,
After 1737
 
Pieter Andreas Rysbrack (c. 1684- 1748)
Oil On Canvas
 
35. A View of the Garden Front of Tottenham Park, Wiltshire, 
Made Soon After the Addition of Wings in 1737
 
Pieter Andreas Rysbrack (c. 1684-1748)
Oil On Canvas
 
36. Leeds Castle, Kent, 
Seen from the West Across the Moat Circa 1730s
 
Unidentified English Painter
Oil On Canvas
 
37. A Panorama of Betchworth Place, Surrey, 
with House and Church, 
Betchworth Castle in the Distance
 
Robert Griffier (c. 1688- 1760)
Signed and dated 1739
Oil On Canvas
 
38. Staunton Harold Hall, Leicestershire, 
From the East Circa 1764- 67
 
Thomas Smith (fl. 1743- 1767)
Called ‘Smith of Derby’
Oil On Canvas
 
39. A View of Gisburne Park, Yorkshire, 
and the Park Seen from an Elevated Aspect, after 1735
 
Oil On Canvas
 
40. A View of the Ruined Westby Hall, Yorkshire,
After 1735
 
Oil On Canvas
 
41. Chatsworth, Derbyshire, 
Viewed From the South-West circa 1743
 
Thomas Smith (fl 1743- 1767)
Called ‘Smith of Derby’
Oil On Canvas
 
42. A View in Cirencester Park, Gloucestershire, 
Seen from the Gardens towards the West Circa 1730
 
In the manner of George Lambert (1710- 1765)
Oil On Canvas
 
43. A View of Dunton Hall, Lincolnshire, 
from Across the Canal
 
George Lambert (1710- 1765)
Signed and dated 1739
Oil On Canvas
 
44. A View of Crowcombe Court and the Church of the Holy Ghost, Somerset, 
from the South Circa 1740s or 1750’s
 
Unidentified English Painter
Oil On Canvas
 
45. View of Copped Hall, Essex, 
from the Park
 
Signed and dated 1746
Oil On Canvas
 
46. View of Copped Hall, Essex, from Across the Lake
 
Signed and dated 1746
Oil On Canvas
 
 Both by George Lambert (1710- 1765)
with (?) Samuel Wale (fl. 1752 – d. 1786)
 
47. A View of Stanway House, Gloucestershire
towards the West
 
W. (William?) Taylor (fl. 1748)
Signed and dated 1748
Oil On Canvas
 
48. Sir Roger and Lady Bradshaigh in the
Garden of the Haigh Hall, Lancashire Circa 1746
 
Attributed to Joseph Highmore (1692- 1780)
after Edward Haytley (fl. 1746- 1761)
Oil On Canvas
 
49. A View of the Entrance of Claremont, Surrey circa 1740,
with the Belvedere Seen in the Background
 
Oil On Canvas
 
50. A View of the Amphitheatre and the Naturalised Lake 
in the Gardens of Claremont, Surrey Circa 1740
 
Oil On Canvas
 
51. A View of William Kent’s Temple on the Island
of the Naturalised Lake in the Gardens of Claremont, Surrey Circa 1740
 
Oil On Canvas
 
 52. A View of an Open Temple and a Pavilion
Behind Claremont, Surrey Circa 1740
 
Oil On Canvas
 
53. A View up one of the Topiary Allies in
the Gardens of Claremont, Surrey circa 1740
 
Oil On Canvas
 
54. A View of the Stables and Entrance Lodges of
Claremont, Surrey circa 1740
 
Oil On Canvas
 
 All by the Master of Tumbled Chairs. 
 
55. A View of the East Front of Wentworth Castle, Yorkshire, 
Looking Towards the Tivoli Temple and the Queen Anne Obelisk
 
Thomas Bardwell (1704- 1767) 
Signed and dated 1752
Oil On Canvas
 
56. A View of London from the Terrace
of Carenwood (now Kenwood) House, Hampstead
 
John Wootton (c. 1682- 1765)
Signed and dated 1755
Oil On Canvas
 
57. The Entrance Front and Stable Range of
Adlington Hall, Cheshire Circa 1761
 
Oil On Canvas
 
58. The House Complex Seen from Across
the Long Water Circa 1761
 
Oil On Canvas
 
Both by Thomas Bardwell (1704- 1767)
 
59. Taymouth Castle, Perthsire, 
from the South, in 1756/7
 
John Sanger (fl. 1763- 1773)
Oil On Canvas
 
60. Cowick Hall, Yorkshire, 
Seen from the North
With the Family of the 3rd Viscount Downe 
in Conversation on the Lawn Circa 1758
 
John Inigo Richards ( fl. 1753- d. 1810)
Oil On Canvas
 
61. Serlby Hall, Nottinghamshire, 
from the North Axis
 
 Signed and dated 1758
Oil On Canvas
 
62. Serlby Hall, Nottinghamshire, 
from the South Axis with the 
Cascade House and Eye-Catcher
 
Signed and dated 1758
Oil On Canvas
 
63. Thomas Hart’s Park at Warfield Place, Berkshire, 
Early 1750s
 
John Harris the Younger (fl. 1750’s)
Oil On Canvas
 
64. Wanstead Hall, Essex,
Viewed from Beyond the Great Octagon Basin Circa 1760’s
 
Attributed to Charles Catton the Elder (c.1728- 1798)
Oil on Canvas
 
65. Nuneham Park, Oxfordshire
‘from the Lock Cottages- Morning’
 
Signed and dated 1760
Oil On Canvas
 
66. Oxford from Nuneham Park, Oxfordshire- ‘Evening’
 
Oil On Canvas
 
 67. Mr. Clayton’s House at Harleyford Manor, Buckinghamshire
 
Francesco Zuccarelli (1702- 1788)
Signed and dated 1760
Oil On Canvas
 
68. Sunbury Court, Middlesex, 
Seen from cross the River Thames
 
Herbert Pugh (fl. c. 1758- c. 1788)
Signed and dated 1767
Oil On Canvas
 
69. View from the South West of Croome Court, Worcestershire,
Seen Across the Lake
 
Richard Wilson ( 1713? – 1782)
Signed and dated 1758
Oil On Canvas
 
70. Sir Lawrence Dundas in a Sulky with Companions 
with Moor Park, Hertfordshire, in the Background
 
Richard Wilson (1713?- 1782),
with (?) Johann Zoffany (1734- 1810)
Signed and dated 1765
Oil On Canvas
 
 71. A View of Dalkeith House, Midlothian
 
Attributed to James Barret (fl. 1785-1819)
 
72. A View of the Montagu Bridge in Dalkeith Park, Midlothian
 
Attributed to James Barret (fl. 1785- 1819)
Oil On Canvas
 
73. A View Across the Park to The Garden Front
of Felix Hall, Essex Circa 1770
 
William Marlow (1740- 1813)
Oil On Canvas
 
74. The Deepdene, Surrey,
Seen in a Prospect over Dorking Circa 1773 or 1783
 
James Canter (c. 1735- c. 1790)
Oil On Canvas
 
75. Matson House, Gloucestershire, 
from the Garden
 
Signed and dated 1770
Oil On Canvas
 
 76. Matson House, Gloucestershire, 
from the Farm Approach
 
Signed and dated 1770
Oil On Canvas
 
Both by William Marlow ( 1740- 1813)
 
 77. View Towards the South Front of 
Castle Howard, Yorkshire
 
Signed and dated 1772
Oil On Canvas
 
78. View Towards the West Range of
Castle Howard, Yorkshire
 
Signed and dated 1772
Oil On Canvas
 
Both by William Marlow (1740- 1813)
 
79. Arundel Castle, Sussex, 
from the North-East Across the Fields of the River Arun Circa 1783
 
James Canter (c. 1735- c. 1790)
Oil On Canvas
 
80. View of the North Front of Worksop Manor, Nottinghamshire
 
William Hodges (1744- 1797)
Signed and dated 1777
Oil On Canvas
 
81. William Tufnell and his Hounds
at Nun Monkton Priory, Yorkshire
 
Nathan Drake (c. 1728- 1778)
Signed and dated 1769
Oil On Canvas
 
82. An Old Pony and Hound in Front of 
Brocklesby Park, Lincolnshire Circa 1777
 
 George Stubbs (1724- 1806)
Oil On Canvas
 
 83. View of the Chapel or East Front to the Garden of Cowdray House, 
Painted Before 1777
 
Unidentified English Painter
Oil On Canvas
  
84. Rendcomb Park, Gloucestershire, 
Viewed from the South West Circa 1770’s
 
 Unidentified English Painter
Oil On Canvas
 
85. Tring Park, Village and Church, Hertfordshire,
Seen from the North Axis Across the Park, with Haymaking
 
L. Howes
Signed and dated 1796
Oil On Canvas
 
86. Stonor Park, Oxfordshire,
and Kitchen Garden
Seen from the Hills Opposite the Entrance Front Circa 1770’s
 
 In the manner of Anthony Devis ( 1729- 1816)
Oil On Canvas
 
87. The Old House at Port Eliot, Cornwall,
with the Priory of St. Germans Circa 1700
 
Unidentified English Painter
Oil On Canvas
 
88. Port Eliot, Cornwall as Rebuilt after 1804,
with the Priory of St. Germans
 
Unidentified English Painter
Oil On Canvas
 
89. View of Painshill House, Surrey,
from the Park
 
Signed and dated 1789
Oil On Canvas
 
90. View of Painshill House, Surrey
from the Cobham Road Bridge
 
Signed and dated 1789
Oil On Canvas
 
Both by Theodore de Bruyn (1730- 1804)
 
91. Fonthill House (known as Splendens), Wiltshire,
Seen from the East Across the Lake Circa 1791
 
Hendrik de Cort (1742- 1810)
Oil On Canvas
 
92. View from the South-East of the Mausoleum at Castle Howard, 
Yorkshire, with the House in the Background in 1800
 
Hendrik de Cort ( 1742- 1810)
Oil On Canvas
 
93. View of the Old Hall, East Bergholt, Suffolk, 
in 1801
 
John Constable (1776- 1837)
Oil On Canvas
94. A Distant View of Brightling Park, Sussex,
from the Downlands Circa 1810-1815
 
J.M.W Turner (1775- 1851)
Oil On Canvas
 
 95. Lowther Castle, Westmorland,
Seen from a Distance by ‘Day’ in 1810
 
J.M.W Turner (1775- 1851)
Oil On Canvas
96. Englefield House, Berkshire,
Seen from the South Circa 1832/3
 
John Constable (1776-1837)
Oil On Canvas
 
97. Rendcomb Park, Gloucestershire,
Seen fromt he South-West, in the 1820’s 
 
John Glover (1767- 1845)
Signed
Oil On Canvas
 
 98. Floors Castle, Roxburghshire,from the Park
 
W. (William?) Wilson (possibly fl. 1798- 1836)
Signed and dated 1809
Oil On Canvas
 
99. View of Dalmeny House, West Lothian,
with Barnbougle Castle and the Forth Estuary in the Distance
Circa 1818
 
Alexander Nasmyth (1758- 1840)
Oil On Canvas
 100. A View of Crawford Priory, Fife Circa 1813
 
In the manner of Alexander Nasmyth (1758- 1840)
Oil On Canvas
 
101. A View from the West of Aldenham Park, Shropshire Circa 1820
 
Attributed to William Daniell (1769- 1837)
Oil On Canvas
 
102. Arundel Castle, Sussex, 
Seen from Above the Littlehampton Road
and Across the River Arun, in 1823
 
Oil On Canvas
 
103. Arundel Castle, Sussex, 
Seen from the Park, in 1823
 
Both by William Daniell (1769- 1837)
 
104. A View Towards the Entrance Front of Eaton Hall, Cheshire, 
Seen from Across Lawns with Deer Circa 1825
 
Attributed to George Cuitt the Younger (1779- 1854)
Oil On Canvas
 
105. Tilting at the Quintain Revived at Firle Place, Sussex
 
Unidentified English Painter
Dated 1827
Oil On Canvas
 
106. Drummond Castle, Perthshire,
Seen from the Gardens
 
Jacob Thompson (1806- 1897)
Dated 1847
Oil On Canvas
 
107. A Semi-Circular Composition of Hagley Hall, Worcestershire, 
Seen from a Nearby Hill
 
Andrew McCallum (1821- 1902)
Signed and dated 1852
Oil On Canvas
 
108. Mells Manor House, Somerset,
from the Lawn Circa 1924- 1925
 
Sir William Nicholson (1872- 1949)
 
109. The North Porch at the Manor House, 
Cranborne, Dorset in 1932
 
Sir Winston Churchill (1874- 1965)
Signed
Oil On Canvas
 
 110. A View of the Garden Front 
of Farringdon House, Berkshire
 
Oil on panel
 
111. A View of the Entrance Front of Farringdon House, Berkshire
 
Oil On Panel
 
Both by Lord Berners (1883- 1950)
 
112. Carclew, Cornwall
 
Algernon Newton (1880- 1968)
Signed and dated 1937
Oil On Canvas
 
113. A View of the Entrance Front of Ditchley House, Oxfordshire,
Seen Across the Lawns
 
Algernon Newton (1880- 1968)
Signed and dated 1942
Oil On Canvas
 
114. A Glimpse of Ruckley, Wiltshire, 
from the Park of Easton Grey House [? date]
 
Algernon Newton (1880- 1968)
Oil On Canvas
 
 115. Reinshaw Hall, Derbyshire Circa 1933
 
Richard Wyndham (1896- 1948)
Signed R.W
Oil On Canvas
 
116. View of Haddon Hall, Derbyshire,
from a Nearby Hill
 
Rex Whistler (1905- 1944)
Signed and dated 1933
Oil On Panel
117. A View into the Far Distance of Lavington Park, Sussex,
with a Portion of the House in the Mid-ground Circa 1941
 
Rex Whistler (1905- 1944)
Signed 
Oil On Canvas
 
118. A View Through the North Gateway of the Manor House, 
Cranborne, Dorset
 
Rez Whistler (1905-1944)
Signed but not dated, possibly 1935
Oil On Canvas
 
119. Widcombe Manor, Somerset, 
The Entrance and Church, before 1967
 
Lord Methuen (1886- 1974)
Signed
Oil On Canvas
 
120. A View of Normandy Hall, Lincolnshire,
Seen form Across the Pond
 
Felix Kelly (1914- 1994)
Signed
Oil On Canvas
 
121. A View of Henbury Hall, Cheshire
 
Felix Kelly (1914- 1994)
Signed and dated 1981
Oil On Canvas
 
122. A View cross the Entrance Front of Gorhambury Park, 
Hertfordshire
 
Felix Kelly ( 1914- 1994)
Signed and dated 1983
Oil On Canvas
123. Highgrove House, Gloucestershire,
Seen from the Front Approach 
 
Felix Kelly (1914- 1994)
Signed and dated 1985
Oil On Canvas
 
124. An Aerial View of the Manor House,
Cranborne, Dorset
 
Marcus May (b. 1958)
 
125. An Aerial View of Longford Castle
Wiltshire in 1994
 
 Marcus May (b. 1958)
Oil On Canvas
 
 126. An Aerial View of Daylesford House, 
Gloucestershire,
Seen from the South
 
 Marcus May (b. 1958)
Signed and dated 1995
Oil On Canvas
 
127. Drumlanrig Castle, Dumfriesshire
 
Jonathan Warrender (b. 1954)
Signed and dated 1995
Oil On Panel
 
128. An Elevated View of Upton Viva, Warwickshire
 
Jonathan Warrender (b. 1954)
Signed and dated 1993
Oil On Canvas
 
129. An Aerial View of Thenford House, Northamptonshire
 
Jonathan Warrender (b. 1954)
Signed and dated 1986
Oil On Canvas
 
130. An Elevated View of Ramsbury Manor, Wiltshire, 
From above the Kitchen Garden
with the House in the Middle Distance
 
 Jonathan Warrender (b. 1954)
Signed and dated 1992
Oil On Canvas
 
131. A View of the East Front of Crippenden Manor, Kent
 
James Hart Dyke (b. 1966)
 Signed and dated 1995
Oil On Canvas
 
132. A Near View of Chastleton Manor, Oxfordshire,
in October / November 1993
 
James Hart Dyke (b. 1996)
Signed and dated 1993
Oil On Canvas
 
133. Steeple Manor, Dorset, 
From the  Garden, in June / July 1995
 
James Hart Dyke (b. 1996)
Signed and dated 1995
Oil On Canvas
 
134. Waddeston Manor, Buckinghamshire,
with the Garden Approach Steps
 
James Hart Dyke (b. 1996)
Signed and dated 1995
Oil On Board
 
135. A View of the West, Entrance Front of 
Easton Neston, Northamptonshire
 
Julian Barrow (b. 1939)
Signed and dated 1976
Oil On Canvas
 
136. A View of the East Front of Easton Grey House, Wiltshire
 
Julian Brrow (b. 1939)
Signed and dated 1995
Oil On Canvas
 
137. The Broad Avenue, Cirencester Park,
Gloucestershire, 1982
 
Julian Barrow (b. 1939)
Signed
Oil On Canvas
 
138. A View of the South Front of Rokeby Park, 
County Durham
 
Julian Barrow (b. 1939)
Signed and dated 1988
Oil On Canvas
 
 139. Essex House in the Village of Badminton, Gloucestershire,
with James Lees-Milne in the Garden
 
Julian Barrow (b. 1939)
Signed and dated 1995
Oil On Canvas
 
140. A Distant View of Duntreath Castle, Stirlingshire
 
Michael Barnfather (b. 1934)
Signed and dated
Oil On Canvas
 
141. A View of the West Front of Houghton Hall, Norfolk, 
Seen from the Park
 
Jean Mark Winckler (b. 1952)
Signed and dated 1984
Oil On Canvas
 
142. Stoneleigh Abbey, Warwickshire, 
Seen from the South
 
Alan Dodd (b. 1942)
Signed and dated 1991
Oil on gesso panel
 
143. Plas Teg, Clwyd, 
Seen in Elevated Perspective
Across the Formal Garden in 1992
 
Jonathan Myles-Lea (b. 1969)
Oil On Panel
144. An Elevated View of Trewane Manor, Cornwall
 
 Jonathan Myles-Lea (b. 1969)
Signed and dated 1995
Oil On Canvas
 
 
 
 
 
 
   
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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