Last Updated on: 25th November 2023, 09:44 am
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- 1982, Ceramics, Collectables / Collectibles, Countryside / Countrylife, England/ English, Hunting, Kitchenalia, Myott, Porcelain / Semi-porcelain, Sugar bowl / Sugar pot
VINTAGE 1982 The Hunter by MYOTT England Blue & White Sugar Pot with Lid
Height: approx. 4 1/2 inches
Width: 5 1/2 inches from handle to handle
Weight: 271 g
Maker’s Marks: The Hunter by Myott. Permanent colours. Made in England, 1982
Notes / other details: English countryside stately hunting scene in blue and white colour pallette
This sugar pot, “The Hunter” by Myott, crafted in England in 1982, evokes the grandeur of the traditional English countryside with its stately hunting scene. The scene is not simply printed on the surface; it is a narrative that transports one to the days of regal hunts and the noble pursuit in the British heathlands.
Intricately detailed in blue on a crisp white background, the scenes depicted are timeless—a vignette of heritage and the rustic elegance of country life. The blue is of a particular depth, suggesting permanence and continuity, like the heritage it represents. It’s the kind of piece that doesn’t merely serve a function; it tells a story with every use.
For the collector, this sugar pot is a treasure, not only for its beauty but for its embodiment of a bygone era. For the connoisseur, it offers a subtle nod to the customs and ceremonies of rural England. This sugar pot is more than a receptacle for sweetening; it is a curio of craftsmanship, a piece of history, a fragment of the narrative tapestry that is the English country tradition.
The dual handles suggest a shared experience, hinting at the communal aspect of tea time, where stories and sugar are passed hand to hand. Owning such a piece is not just an acquisition but an initiation into a lineage of taste and refinement, a connection to the subtle and refined undercurrents of English cultural legacy.
Intricately detailed in blue on a crisp white background, the scenes depicted are timeless—a vignette of heritage and the rustic elegance of country life. The blue is of a particular depth, suggesting permanence and continuity, like the heritage it represents. It’s the kind of piece that doesn’t merely serve a function; it tells a story with every use.
For the collector, this sugar pot is a treasure, not only for its beauty but for its embodiment of a bygone era. For the connoisseur, it offers a subtle nod to the customs and ceremonies of rural England. This sugar pot is more than a receptacle for sweetening; it is a curio of craftsmanship, a piece of history, a fragment of the narrative tapestry that is the English country tradition.
The dual handles suggest a shared experience, hinting at the communal aspect of tea time, where stories and sugar are passed hand to hand. Owning such a piece is not just an acquisition but an initiation into a lineage of taste and refinement, a connection to the subtle and refined undercurrents of English cultural legacy.
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